If you want to be an actor, the first thing you have to understand is that everyone and their grandmother thinks they can act and wants to be an actor. The competition you will face will be monumental. With that in mind, here are some tips on what to do if you want to have a career as an actor.
For starters, you must understand that there is no one way to become a successful actor. Some very famous actors were discovered while doing other jobs and just happened to be in the right place at the right time. Yes, there is a lot of luck involved in this business. In addition to that luck you'll need connections and a lot of determination. Here are a few ways to get your foot in the door.
Just about every town in the world has a small theater where they put on local amateur performances. Take advantage of this even if you're really only interested in film or television. The truth is, acting is acting and it doesn't change much just because you're on a stage instead of in a film or television studio. Any practice that you get is only going to improve your chances of getting the gig that you're looking for. Also, many agents and casting directors go to these small theaters looking for talent. There's always the chance that they're going to spot you.
Next there's student films. If there is a college in your hometown, most likely they have a performing arts program with students involved in doing their own films. Film students are always on the lookout for talented actors to appear in their films. You could very well be just what they're looking for. They probably won't be able to pay you anything and the film itself will probably be pretty bad but it will be good experience for you. Just make sure you get a video tape of your performance and keep in touch with the student director. You never know where this might lead.
Another way to get your foot in the door is to be an extra. Many times when a movie studio is filming on location shots they need extras such as people in a crowd. Go down there and tell them that you're interested in being an extra. You never know what this could lead to. The casting director may just like your looks and ask you to come in and read for a speaking part, if not for this film, for a future one. Plus, this will give you great experience as you will get to see what a professional film set looks like and how things run. Every little bit helps.
Then there are independent films. Many of these companies can't afford to hire experienced actors. This is a very good chance to get your foot in the door. Plus there is always the chance that one of these independent films will take off and be big hit. It has happened. You could very well be the next overnight success because of it.
After you've built up a bit of a resumé doing the things above, get yourself an agent and put together a portfolio for him to shop around. That's his job. He'll have more contacts than you and a much better chance of getting you something.
Most of all, be persistent. Don't give up. Becoming a successful actor is one of the most difficult things that anyone could want to do but it is also one of the most rewarding. In many cases simply by not quitting you'll finally land the part that you've always dreamt of.
Wednesday, March 31, 2010
Tuesday, March 30, 2010
Acting: How to Cold Read a Script
In regular theater an actor may prepare a monologue that he has spent many hours memorizing, for a part that he will also perform at every audition. He's spent a lot of time on this and has perfected his art and delivery. When going for an audition he is quite comfortable with his prepared lines. However, in a film or commercial audition the actor is expected to perform a script given to him that he has never seen before. This is when the art of cold reading is very important and can be a life saver.
The technical definition of cold reading is the auditioning for a part with a script in hand, one the actor has never seen. The profession says that the actor is supposed to be given the script at least 24 hours before the audition but all too often this just doesn't happen. This is why cold reading is so important to actors who work in film or commercials.
So, how do you learn to cold read? Brute force. Pick up a script, read the first line, commit it to memory and then say the line without looking at the script. You've just done your first cold reading. At first you may only be able to memorize a few words at a time, but with a little practice you'll soon be memorizing several lines at a time. Being an actor is kind of like being an athlete. The more you work at it the better you'll get. After you feel comfortable doing cold reading by yourself try it with another actor. This is when it gets fun.
When you're at your audition it's very tempting to try to sneak a peak at your next line while the other actor is doing his lines. Don't do this. How you listen to your fellow actor is just as important as speaking your lines. Wait until it's time for you to respond and then look at your next line. Memorize as much of your line as you can in a few seconds. Then make eye contact with your partner and say your next line.
If you've got more to memorize than you can with just a glance, repeat the process until you have the line memorized. But keep your face out of your script. Never read your lines while looking at your script. This is a sure way to blow the audition. Make sure you stay in character while reading your lines.
When you're actually at your audition even if you don't get the script until you get there, try to read the script in its entirety at once and remember as much of it as you can. This way you'll at least have some idea what the scene is about, who the characters are and how the conversation should go. If you have more time try to memorize the first and last lines. This will give you a strong start and finish, which is what the person auditioning you will remember the most.
When holding your script, hold with your left hand if right handed and at chest level. Never have your head buried in the script. Don't wave the script around like it is a prop. Make believe it is just a natural extension of your body. The less attention you draw to the script itself the better.
A cold reading goes much slower and feels a lot more awkward than a normal reading. This is normal and there is no need to worry about it. The casting director knows this is the first time you've seen the script. He is more interested in what kind of personality you have as the character.
Sadly, you may be the greatest actor in the world, but without being able to cold read well you aren't going to get many parts as you'll never get past the first audition. So include cold reading in your training. You'll find you'll get more parts because of it.
The technical definition of cold reading is the auditioning for a part with a script in hand, one the actor has never seen. The profession says that the actor is supposed to be given the script at least 24 hours before the audition but all too often this just doesn't happen. This is why cold reading is so important to actors who work in film or commercials.
So, how do you learn to cold read? Brute force. Pick up a script, read the first line, commit it to memory and then say the line without looking at the script. You've just done your first cold reading. At first you may only be able to memorize a few words at a time, but with a little practice you'll soon be memorizing several lines at a time. Being an actor is kind of like being an athlete. The more you work at it the better you'll get. After you feel comfortable doing cold reading by yourself try it with another actor. This is when it gets fun.
When you're at your audition it's very tempting to try to sneak a peak at your next line while the other actor is doing his lines. Don't do this. How you listen to your fellow actor is just as important as speaking your lines. Wait until it's time for you to respond and then look at your next line. Memorize as much of your line as you can in a few seconds. Then make eye contact with your partner and say your next line.
If you've got more to memorize than you can with just a glance, repeat the process until you have the line memorized. But keep your face out of your script. Never read your lines while looking at your script. This is a sure way to blow the audition. Make sure you stay in character while reading your lines.
When you're actually at your audition even if you don't get the script until you get there, try to read the script in its entirety at once and remember as much of it as you can. This way you'll at least have some idea what the scene is about, who the characters are and how the conversation should go. If you have more time try to memorize the first and last lines. This will give you a strong start and finish, which is what the person auditioning you will remember the most.
When holding your script, hold with your left hand if right handed and at chest level. Never have your head buried in the script. Don't wave the script around like it is a prop. Make believe it is just a natural extension of your body. The less attention you draw to the script itself the better.
A cold reading goes much slower and feels a lot more awkward than a normal reading. This is normal and there is no need to worry about it. The casting director knows this is the first time you've seen the script. He is more interested in what kind of personality you have as the character.
Sadly, you may be the greatest actor in the world, but without being able to cold read well you aren't going to get many parts as you'll never get past the first audition. So include cold reading in your training. You'll find you'll get more parts because of it.
Monday, March 29, 2010
Acting: Tips On How To Raise Your Profile
These days, just simply being a good actor is not really enough to make it in this 'dog eat dog' profession. There are people out there who would literally give their right arm to get a break in show business. Well maybe that's a bit extreme but I think you can see the point I'm trying to make here.
If it's any consolation though, years ago there was even less opportunity to start a career as an actor. For a start, there was the equity loop hole. You couldn't get a job because you weren't a member of equity and you couldn't join equity unless you had a job!
Fortunately it is now possible to work on professional productions without the need to be an equity member. It is a big plus to be a member of equity, as there is much help and advice that the union can provide you with, so if you have the option to join you are well advised to take advantage of it.
Getting Exposure Is What It's All About
Certainly an easy way to get some top public exposure is to appear on a show like Wife Swap, Pop Idol, Big Brother, etc. Just about anybody can apply for these shows and they are not so difficult to actually get on. Once you have, make a name for yourself and use this to leverage your way into another role.
Do I Have To Be Good?
Not necessarily. Sometimes being bad at something can have a strange effect and actually get you further. Sounds crazy but it's true. Just look at some of the takes from X Factor for example.
The key here is personality. If you have a personality then you will be interesting and that's what the audience or public want to see. You gotta be interesting! Boring just ain't gonna work!
Make yourself stand out from the crowd if need be. Try different things and above all, be original. That's what will make you be remembered. If the public forget you, you're history!
Only you can make this happen and remember, unless you are mega talented then you will have to pull every resource you have to stand out and be noticed.
Get Started Now
Do a search on Google now and look for reality TV shows. Bookmark them and apply right away. This is a foot in the door -- the secret back door that you can use to get into acting! Of course, the information here is simply a guide on how you can get an edge into show business. To become great at your craft, and in particular, acting, you will need to practice and practice very hard.
But remember, with the amount of gateways available into the acting profession nowadays, there is every chance of you getting your break sooner rather than later. There are many different ways that you can start off with your campaign and your first point of call will be to check casting newspapers such as The Stage or even ring round some of the local television studios and ask to see if there is anything suitable that they are doing that may fit your profile.
Publicity will get you everywhere.
If it's any consolation though, years ago there was even less opportunity to start a career as an actor. For a start, there was the equity loop hole. You couldn't get a job because you weren't a member of equity and you couldn't join equity unless you had a job!
Fortunately it is now possible to work on professional productions without the need to be an equity member. It is a big plus to be a member of equity, as there is much help and advice that the union can provide you with, so if you have the option to join you are well advised to take advantage of it.
Getting Exposure Is What It's All About
Certainly an easy way to get some top public exposure is to appear on a show like Wife Swap, Pop Idol, Big Brother, etc. Just about anybody can apply for these shows and they are not so difficult to actually get on. Once you have, make a name for yourself and use this to leverage your way into another role.
Do I Have To Be Good?
Not necessarily. Sometimes being bad at something can have a strange effect and actually get you further. Sounds crazy but it's true. Just look at some of the takes from X Factor for example.
The key here is personality. If you have a personality then you will be interesting and that's what the audience or public want to see. You gotta be interesting! Boring just ain't gonna work!
Make yourself stand out from the crowd if need be. Try different things and above all, be original. That's what will make you be remembered. If the public forget you, you're history!
Only you can make this happen and remember, unless you are mega talented then you will have to pull every resource you have to stand out and be noticed.
Get Started Now
Do a search on Google now and look for reality TV shows. Bookmark them and apply right away. This is a foot in the door -- the secret back door that you can use to get into acting! Of course, the information here is simply a guide on how you can get an edge into show business. To become great at your craft, and in particular, acting, you will need to practice and practice very hard.
But remember, with the amount of gateways available into the acting profession nowadays, there is every chance of you getting your break sooner rather than later. There are many different ways that you can start off with your campaign and your first point of call will be to check casting newspapers such as The Stage or even ring round some of the local television studios and ask to see if there is anything suitable that they are doing that may fit your profile.
Publicity will get you everywhere.
Sunday, March 28, 2010
Acting: Bringing a Story to Life
Since ancient times men and women have practised the art of acting -- playing the role of a character in a story, for the entertainment of an audience. Why simply read a story when you can take part in it, playing the roles and turning it into a display of skill?
Actors have found various mediums over the centuries, from voice acting on radio, theatre acting and cinema. From the Latin word agre meaning "to do", actors literally play a role, speaking written dialogue and physically performing in a way that the character would. In most acting, a director is present, whose job is to tell the other actors what to do and make sure that the whole act is going smoothly and as the writer of the scenario wanted.
Actors are required to possess many skills such as physical strength and dexterity, vocal imitation and charisma. The modern cinema industry employs thousands of actors to play the roles of characters in movie scripts, recording them for show on the silver screen. Acting in cinema is rarely done before an audience, but has the added pressure of being seen by millions on the later screen release.
Acting is a traditional art form and many actors learn by going to established academic institutions. Famous institutions include the London Academy of Film, Radio and TV and the American Academy of Dramatic Arts. Some actors train at a variety of different places, learning classical acting techniques and modern ones such as Method Acting. This is a style of acting in which the actor strives to be as realistic as possible, drawing on personal experience of emotional situations rather than dramatising.
The tradition of acting goes back to ancient times, with ancient Egyptians and Greeks performing either for religious purposes or more so in the case of the Greeks, for entertainment. A man named Thespis is acclaimed as being the first recognised actor way back in 560 BC, and his name inspired the term thespian as another word for actor (see New York Film Academy website). He is claimed by some to be among the first to personify a character for the purpose of story telling, using masks to discern between identities.
Acting is a well-established art form, and it pays to know the history of your craft!
Actors have found various mediums over the centuries, from voice acting on radio, theatre acting and cinema. From the Latin word agre meaning "to do", actors literally play a role, speaking written dialogue and physically performing in a way that the character would. In most acting, a director is present, whose job is to tell the other actors what to do and make sure that the whole act is going smoothly and as the writer of the scenario wanted.
Actors are required to possess many skills such as physical strength and dexterity, vocal imitation and charisma. The modern cinema industry employs thousands of actors to play the roles of characters in movie scripts, recording them for show on the silver screen. Acting in cinema is rarely done before an audience, but has the added pressure of being seen by millions on the later screen release.
Acting is a traditional art form and many actors learn by going to established academic institutions. Famous institutions include the London Academy of Film, Radio and TV and the American Academy of Dramatic Arts. Some actors train at a variety of different places, learning classical acting techniques and modern ones such as Method Acting. This is a style of acting in which the actor strives to be as realistic as possible, drawing on personal experience of emotional situations rather than dramatising.
The tradition of acting goes back to ancient times, with ancient Egyptians and Greeks performing either for religious purposes or more so in the case of the Greeks, for entertainment. A man named Thespis is acclaimed as being the first recognised actor way back in 560 BC, and his name inspired the term thespian as another word for actor (see New York Film Academy website). He is claimed by some to be among the first to personify a character for the purpose of story telling, using masks to discern between identities.
Acting is a well-established art form, and it pays to know the history of your craft!
Saturday, March 27, 2010
Audition Tips for Actors: How to Win the Part of Your Dreams!
Auditions are a nerve-wracking experience for actors. They'd rather have their eyebrows plucked. Unfortunately, they're an essential part of being an actor. So by following these steps you'll have the best chance of getting the part.
In getting the audition in the first place, you or your agent are going to have to submit a photo and resume to the casting director. Sometimes you'll get an open call where anybody can come down but these are the exception, not the rule. Most auditions are by invitation only.
If you are called for an audition you will usually be given what are called "sides" or a few pages of a script that you will have to read at the audition. In theater you may also be required to have some kind of monologue ready.
The first thing to do is read the script and prepare for the part. Find out everything you can about the character you're going to be playing. The lines aren't important yet. Just commit your focus to the character. How old, where from, how the character feels about other characters in the story. Only after you know everything you need to know about the character do you start learning your lines. Use whatever method you feel most comfortable with. You won't be required to know the whole script at the audition but be prepared.
Before you go to the audition, dress for the part. Wear clothes that fit the character and the story. If you're playing a cowboy don't get dressed up in a business suit. You don't have to go out and rent spurs but wear clothes that suggest the role. Jeans and boots for this role will do fine.
Warm up for the audition just like a pitcher warms up before a ball game. Do some stretches and vocal exercises. Go over your lines. Don't go in there cold. It's normal to be nervous but in preparing yourself you won't be as nervous and you'll be able to relax a bit.
When you get to the audition, sign in. You may have to wait for others to read for the same part. Be patient. Avoid talking with the other actors. They will only try to distract you. Focus on what you came there to do.
When actually reading for the casting director, be prepared for anything. Some may sit and chat with you a few minutes and others will just get right down to business. Forget that this is an audition. Do the performance as if you were actually in the production. You only get one chance to make a first impression. Make the director believe that you ARE the character. They want you to be the best person for the role because that means their job is completed.
There are some things not to do when reading for the casting director. Don't suck up. A sincere compliment is fine but a casting director will know when you're just grovelling. Aside from shaking his hand when you enter, never touch the casting director. Finally, don't trash the office. Some hyperactive actors will actually do this in the heat of performing a physical scene. This is a definite way NOT to get the part.
After you're done with your reading the director will let you know when they'll get back to you. Leave it at that. Don't make a scene. Just be professional and leave.
If the casting director likes your performance you will be asked to come back. At this time there will be fewer people auditioning and more people watching your performance. Maybe some producers, directors and writers. Wear the same clothes that you wore to the first audition and put in the same performance. Don't second guess yourself. If they called you back then they liked what they saw the first time. Don't mess with success.
Keep records of each audition. Make notes of what things you did and what you think you can do better the next time. If something went very well, make a note of what it was.
The more auditions you do the better you will get at them.
In getting the audition in the first place, you or your agent are going to have to submit a photo and resume to the casting director. Sometimes you'll get an open call where anybody can come down but these are the exception, not the rule. Most auditions are by invitation only.
If you are called for an audition you will usually be given what are called "sides" or a few pages of a script that you will have to read at the audition. In theater you may also be required to have some kind of monologue ready.
The first thing to do is read the script and prepare for the part. Find out everything you can about the character you're going to be playing. The lines aren't important yet. Just commit your focus to the character. How old, where from, how the character feels about other characters in the story. Only after you know everything you need to know about the character do you start learning your lines. Use whatever method you feel most comfortable with. You won't be required to know the whole script at the audition but be prepared.
Before you go to the audition, dress for the part. Wear clothes that fit the character and the story. If you're playing a cowboy don't get dressed up in a business suit. You don't have to go out and rent spurs but wear clothes that suggest the role. Jeans and boots for this role will do fine.
Warm up for the audition just like a pitcher warms up before a ball game. Do some stretches and vocal exercises. Go over your lines. Don't go in there cold. It's normal to be nervous but in preparing yourself you won't be as nervous and you'll be able to relax a bit.
When you get to the audition, sign in. You may have to wait for others to read for the same part. Be patient. Avoid talking with the other actors. They will only try to distract you. Focus on what you came there to do.
When actually reading for the casting director, be prepared for anything. Some may sit and chat with you a few minutes and others will just get right down to business. Forget that this is an audition. Do the performance as if you were actually in the production. You only get one chance to make a first impression. Make the director believe that you ARE the character. They want you to be the best person for the role because that means their job is completed.
There are some things not to do when reading for the casting director. Don't suck up. A sincere compliment is fine but a casting director will know when you're just grovelling. Aside from shaking his hand when you enter, never touch the casting director. Finally, don't trash the office. Some hyperactive actors will actually do this in the heat of performing a physical scene. This is a definite way NOT to get the part.
After you're done with your reading the director will let you know when they'll get back to you. Leave it at that. Don't make a scene. Just be professional and leave.
If the casting director likes your performance you will be asked to come back. At this time there will be fewer people auditioning and more people watching your performance. Maybe some producers, directors and writers. Wear the same clothes that you wore to the first audition and put in the same performance. Don't second guess yourself. If they called you back then they liked what they saw the first time. Don't mess with success.
Keep records of each audition. Make notes of what things you did and what you think you can do better the next time. If something went very well, make a note of what it was.
The more auditions you do the better you will get at them.
Subscribe to:
Posts (Atom)